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- Undocumented Lives. The Untold Story of Mexican Migration
- O teatro negro em perspectiva: dramaturgia e cena negra no Brasil e em Cuba
- Representing Queer and Transgender Identity Fluid Bodies in the Hispanic Caribbean and Beyond
- “When Field Recordings Meet Field Research: Examining Change in the Shango Drumming of Postwar Trinidad.”
- “Bolaño against Babel: Multilingualism, Translation and Narration in 2666, ‘La parte de los críticos’
- “Latino Millennials—The New Diverse Workforce: Challenges and Opportunities.”
- “Fear of Crime in Mexico: The Impacts of Municipality Characteristics.”
- “Sugarcane can afford a cleaner energy profile in Latin America & Caribbean.”
- A Novel NGO Approach to Facilitate the Adoption of Sustainable Innovations in Low-Income Countries: Lessons from Small-scale Farms in Nicaragua
- “Public security in private hands: the case of Guatemala’s Carlos Vielman.
- “Neurological Manifestations Among US Government Personnel Reporting Directional Audible and Sensory Phenomena in Havana, Cuba.”
- Undocumented Lives. The Untold Story of Mexican Migration
- O teatro negro em perspectiva: dramaturgia e cena negra no Brasil e em Cuba
- Representing Queer and Transgender Identity Fluid Bodies in the Hispanic Caribbean and Beyond
- “When Field Recordings Meet Field Research: Examining Change in the Shango Drumming of Postwar Trinidad.”
- “Bolaño against Babel: Multilingualism, Translation and Narration in 2666, ‘La parte de los críticos’
- “Latino Millennials—The New Diverse Workforce: Challenges and Opportunities.”
- “Fear of Crime in Mexico: The Impacts of Municipality Characteristics.”
- “Sugarcane can afford a cleaner energy profile in Latin America & Caribbean.”
- A Novel NGO Approach to Facilitate the Adoption of Sustainable Innovations in Low-Income Countries: Lessons from Small-scale Farms in Nicaragua
- “Public security in private hands: the case of Guatemala’s Carlos Vielman.
- “Neurological Manifestations Among US Government Personnel Reporting Directional Audible and Sensory Phenomena in Havana, Cuba.”
Sumário: “As obras apresentadas nesta publicação, sem dúvida, cada uma a sua maneira, apresentam várias facetas relacionadas aos negros e à cultura afrodescendente levantando apontamentos que dizem respeito a aspectos fundamentais enfrentados por esses sujeitos, dentre os quais destaco a questão do negro assediado (física, moral e psicologicamente), alienado, desejado, engajado, homossexual, objeto, pobre, politizado, rejeitado, rico, violentado etc. Quando grupos como Bando de Teatro Olodum, Cia Espaço Preto, Grupo dos Dez, entre outros, colocam em discussão esses temas, eles possibilitam que o leitor/espectador repense os espaços de representações aos quais os negros costumam ser encarcerados ou, pelo menos, deixam um sinal de que o teatro não deixa de cumprir com sua função pedagógica e/ou política —como deixou asseverado em seus argumentos Irazábal. Assim é o teatro negro, essas são ferramentas ideológicas, estratégicas e estéticas dos grupos que pesquisam e realizam propostas espetaculares sobre a cultura e a cena negra.”